What is worth doing is worth doing well.



Problems in Beethoven’s Pianoforte Sonatas

Everyone loves a good Beethoven Sonata on a recital program.  But are we pianists up for the challenge?  When I was younger, i.e. 15 or 16, I played so many Beethoven Sonatas easily.  Now when I face them 10 years later I appear technically sluggish and lacking in finesse.

I can play a Mozart Sonata well-polished,  which I was never able to before, but I can’t tackle the technical ferocity of the Beethovens without many, many painstaking hours of practice.  What gives?  Well, there are many problems at face here.  First, I took a haitus from Beethoven Sonatas for quite some time, more than the average pianist would.  But more pressingly, my technique and approach to the piano changed.  What I focus on has changed.  I used to focus on rapidity, virtuosity, and accuracy.  I now focus on structure, sound color, and interpretation.  Hopefully one day I can do both with ease.

Here are some of the problems I encounter with Beethoven, naming three main issues from Sonatas in each of his Three Periods:

Early Beethoven

  1. Clearness of tone in rapid passages
  2. Technical accuracy
  3. Stamina

Middle-Period Beethoven

  1. General Phrasing
  2. Contrasting tone colors
  3. Introductions, Codas (structurally)

Late-Beethoven

  1. Structural divisions
  2. Stamina
  3. Consistency in rapid figurations